Paul Jeffrey Sharits (1943–1993) was an American visual artist and avant-garde filmmaker widely regarded as one of the most radical and influential figures in post-World War II experimental cinema.
Sharits spent his life pushing the boundaries of film as a medium, stripping cinema down to its rawest elements—light, color, duration, perception, and materiality—and rebuilding it into something elemental, visceral, and deeply physical.
"With colors, therefore, in reciprocal relationships with each other within space and over time, Sharits creates new hues not actually present upon the film through their co-temporal blending and through after-image retention. It's a a complex phenomenon that yields sublime transitions across a spectral range, while the inner frame pulses with illusionistic movement as the hues change from warm to cool." – Anthony Bannon on 'Declarative Mode' (Buffalo Evening News)