edition. - Fourth Edition: Annea Lockwood — A Sound Map of the Danube

7—10 February 2019 • 7pm

Fourth Edition: Annea Lockwood — A Sound Map of the Danube

MDT, Skeppsholmen

free

Studio 2, open daily kl 14—19

Annea Lockwood & Magnus Bunnskog installing 'A Sound Map of the Danube'

Annea Lockwood in conversation with Crys Cole

Friday 8 February 2019 — Studio 1, kl 17
free entry

Annea Lockwood will be joined in conversation with Crys Cole — sound artist and director of the Send + Receive festival in Winnipeg, Canada. We will also have a chance to listen together to some of Lockwood's electro-acoustic works.

Lockwood's installation 'A Sound Map of the Danube' — a surround ‘sound map’ of the entire Danube River, incorporating a wide variety of water, animal and underwater insect sounds, rocks from the riverbed and the voices of those whose lives are intimately connected to the river will be installed and available to experience at MDT's Studio 2 for the duration of the festival — no ticket/pass required.

Performances of Lockwood's concert works 'Immersion' and 'Jitterbug' will take place at Fylkingen on Saturday 9 February.

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MDT is situated on Skeppsholmen in central Stockholm, adress Slupskjulsvägen 30-32. See map

Annea Lockwood

Born in New Zealand in 1939 and living in the US since 1973, Annea Lockwood is known for her explorations of the rich world of natural acoustic sounds and environments, in works ranging from sound art and installations, through text-sound and performance art to concert music.

crys cole

crys cole is a Canadian sound artist based in Berlin (DE) who works in composition, performance, sound sculpture and installation. Taking a conceptual approach, she generates subtle and imperfect sounds through haptic gestures and seemingly mundane materials to create texturally nuanced electro-acoustic works that continuously retune the ear.

cole has performed in Canada, Japan, Australia, Thailand, Singapore, the USA, UK and throughout Europe. Her regular collaborators include Oren Ambarchi (AU) and James Rushford (AU) (as the duo Ora Clementi). She has also worked with Francis Plagne (AU), Leif Elggren (SW), Tetuzi Akiyama (JP), Seiji Morimoto (DE), Jessika Kenney (US), David Rosenboom (US), Annea Lockwood (US/NZ), Keith Rowe (UK), Lance Austin Olsen (CA), Jamie Drouin (CA), Mathieu Ruhlmann (CA), David Behrman (US), Tim Olive (JP/CA) and many more.

Her work has been published on labels Black Truffle (AU), Penultimate Press (UK), Students of Decay (US), Ultra Eczema (BE), Boomkat (UK), Second Editions (DE), caduc (CA), Bocian (PL), Another Timbre (UK) and Infrequency editions (CA/DE). With guest appearances published on Touch (UK) and Editions Mego (AT).

Cole’s sound installations and sculptures often investigate ideas around impermanence, temporality, memory and illusion, with a particular interest in simple everyday materials and site specificity. Her work has been exhibited in solo and group exhibitions in Canada, Czech Republic, Germany, Denmark, Sweden, Russia, the UK, Spain, Switzerland and Thailand.