.jpg&w=3840&q=75&dpl=dpl_6PpSMDwAEBW8q5rGecSMQXmbhJsz)
FULLY BOOKED.
Future Music is a two day long music workshop for children (aged 7-14) to experiment with ways of listening, sound making, collaboration and improvisation.
Previous experience of music making or musical knowledge is not required. All materials will be provided.
The sessions are led by three musicians who are also performing at the festival — Seymour Wright, Billy Steiger and Ute Kanngiesser — and who have been running the workshop with much success at London's experimental music venue Cafe OTO.
Time: Saturday 20/2 and Sunday 21/2, 10.30 - 12.30
Language: English with Swedish translator
Seymour Wright is a saxophonist and teacher. He has over a decade of experience of using improvisation as part of learning in a variety of educational contexts - from music workshops to university teaching. He has a PhD in Music, that explores the group learning of creative practice.
Billy Steiger was born in Howth, and now lives in Limehouse. He has played the violin since 1993 (with breaks), and continues to do so in an expanding variety of contexts, countries, and companies. He has taught art and animation to children of all ages and their families at the BFI for the past five years.
Ute Kanngiesser is a German cellist and has lived in London for more than 10 years. She has played music since early childhood, has a background in communication studies (MA School of Education / New York University) and has trained in physical theatre and dance. She has taught at Universities in the US and Germany. And she has run music improvisation workshops for adults. As an improvising cellist she has played internationally with a wide range of musicians, dancers and film makers. Ute is the mother of a 4 year old boy and volunteers at the childrens' charity Hackney Pirates.
“A very radical saxophonist” – Evan Parker
Seymour Wright of Derby, his first solo album is widely considered to be a defining document of 21st-century, ‘inter-textual’ saxophone and now with his saxophone (mostly) no longer in pieces he has played in several often surprising and increasingly peculiar settings – from the on-going extreme twistings of lll人 (joined on one occasion by Otomo Yoshihide) and lll人lll (with Yuki Yamamoto, Howard Slater and Ute Kanngiesser), the lava flow of xomlatesc tbobnhi’s four-day London Jazz Festival residency and the robop-debut of CYNTHIA, to duets with Ute Kanngiesser (a rare public, many-year hebdomadal), Daniel Blumberg (Hebronix) and saxophonist John Butcher.
Increasingly he has been performing and recording music in more jazz-like settings too, exploring aspects of the early NYAQ and a certain jazz tradition in Steve Noble’s current group and performing the music of Ahmed Abdul-Malik in أحمد a newly convened quartet with Pat Thomas, Joel Grip and Antonin Gerbal. This on-going trajectory, through the weird, is making the range of his music making and collaborative creativity increasingly public.
Ute Kanngiesser is a German, London based cellist:
“For over 10 years, I have only played unscripted/improvised music. I have experimented with the sound of the cello, limiting myself to the alive material at hand: vast and complicated layers within the instrument and myself; and to let this music evolve continuously in relationship with others. It relates to the process of uncovering an endless multiplicity of coexisting sense perspectives. And it deals with the energy that this gives rise to. For me, it is the most exciting place to play music from.”
Most recent collaborations have been with Seymour Wright, Dimitra Lazaridou Chatzigoga, Rie Nakajima, Jennifer Allum, John Butcher, Terry Day, Billy Steiger, Tom Wheatley, Paul Abbott, Guillaume Viltard, and Daniel Blumberg.
